![]() Kennedy is a favorite of mine and this true story proves he was a real hero. He leads the crew on another dangerous swim before they are finally rescued after many days stranded on an island. After their small PT boat is rammed by a Japanese destroyer, Kennedy rescues a wounded crew member by swimming him ashore. The film, made during Kennedy’s presidency, stars Cliff Robertson as Kennedy, Ty Hardin, Robert Culp, Robert Blake, and Norman Fell. John Kennedy’s heroic actions during WWII. There’s plenty of action to see in this movie, but the romance makes it one of my favorites. ![]() My favorite aspect of this movie is the rekindled romance between Wayne and his ex-wife Patricia Neal, a Navy Nurse. After two encounters with the Japanese when their torpedo’s fail, the last ending in the death of the captain, Ward Bond, Executive Officer Wayne searches for a solution. Of course, read a book while you’re at it, but with the release of Christopher Nolan's Oppenheimer, here is the best round-up of WWII movies that uniquely address and preserve the memory of this major moment in history.John Wayne, Patricia Neal and Ward Bond star in the story of a submarine in the South Pacific dealing with torpedo’s that don’t explode when fired. To let our consumption stop at the American exceptionalism role as “heroes” in this event, without proper context and analysis, is to risk letting history repeat itself. ![]() As we revisit early cinema’s patriotic depictions of WWII, as well as modern cinema’s more nuanced interpretations, it’s vital that we bear witness to the realities of this era. ![]() Ironically, so have the films depicting it. However, our understanding of this war, and the humanitarian crisis at its root, has greatly expanded. ![]() For these reasons, WWII has held tremendous relevance in cinema-both for its compelling narrative and for its fodder as jingoistic propaganda. A black and white dichotomy of “good guys” and “bad guys” laid before us with tales of heroic sacrifice, secrecy, and an evil, inhumane villain at the root of it all. The way many of us first learned about World War II was inherently cinematic. ![]()
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